The History
Spiritiles are part of the evolving story about wall art enameling. Houston traces his lineage back to Fred Uhl Ball, an artist and teacher in the mid-1970’s who dreamt of glass on metal murals and brought them to life. He took a medium focusing on small enameling techniques for jewelry and experimented in glass and metal to create wall artwork. He forged a new path that earned him a commission for a mural on a parking garage in Sacramento and then another at a local hospital.
He mentored Craig Ruwe, who used Fred’s large-scale enameling expertise to create an artistry of enameled artworks in complementary dimensions to fine art paintings. Craig sought exhibiting his pieces in galleries and carved a new form in the fine art marketplace.
The Way Home by Fred Ball; 62’ x 24’ public installation Sacramento, CA.
At one of his exhibits, Craig Ruwe met the painter and sculptor Zingaro. The two artists formed a mutual respect for each other’s work, and Craig asked for Zingaro’s assistance as his health declined. Zingaro furthered the tradition of vitreous enameled wall art by integrating his background in painting to his own fine art enameled pieces.
Through strange and fated opportunity, Houston Llew met Zingaro, who mentored Houston in enameling techniques. Through their collaboration, combining the medium with the best industrial design they could find and Houston’s love to explain things by quoting famous authors, Spiritiles were brought to life. When describing how a person becomes an artist Houston says, “Bad art is copied, good art is stolen. Jean-Luc Godard wisely pointed out ‘It’s not where you take things from - it’s where you take them to.’ So steal the best parts of things you love and take them somewhere new!”
Gallery display at Art on a Whim in Vail, CO featuring Zingaro, Houston Llew, Craig Ruwe.